A short walk from the madness outside the Bryant Park tents, LES boutique Ekovaruhuset in collaboration with newly formed design collective EKO-LAB put on an amazing exhibition of organic, fair-made and sustainable fashion at the Gabarron Foundation Carriage House Center for the Arts yesterday.
Staying away from the frenzy that a traditional fashion show creates, these eco-style pioneers embraced the emerging slow-living movement and mounted the show on mannequins. All twelve creations were impeccably crafted and looked very dramatic on the stark white figures. It’s really quite nice to have a chance to look at these creations up-close instead of seeing them flying by on a runway, since detailing is such an important part of all these designers’ work.
The careful attention paid to refined and innovative detailing represents a new era in fashion to me. In the day where everything is within reach we yearn for that special something that will make us feel like we’re buying more than a garment. Meiling Chen’s tousled blond Rapunzel hair, spun from hemp, is a work of art. Mika Machida’s Horse Dress makes me smile and think at the same time, it’s social activism with a sense of humor and high degree of style. I happen to have a thing for masks, but the presentation of Desirée Hammens organic creations felt more sexy hippie superhero than crunchy granola.
Eco-couple Johanna Hofring and Tor Söderin both represent their Swedish heritage in radically different ways, Hofring’s dress has a sort of late summer turn-of-the-century glamour quality with its exquisite Kenyan seed beading while Söderin’s dress and mask feel very feminine Viking warrior. Also from the Swedish garde, Righteous by Louise Zetterlund presented a quirky dress with a severe decolletage and lamp-shade like skirt adorned with graffiti by Ola Kalnins looks like it could be worn by a naughty french bar maid from the 50s.
Xing-Zheng Chung-Hilyard truly understands presentation. The quirky shoes and surreal eye patch make the whole creation, title High Wire Artist, feel special without detracting from the exquisite hand-painted dress. Amy Moehlenhoff’s hand-crocheted two-piece gown and headpiece is fabulously flapper meets flamenco, sort of understated compared to the other pieces on the show, but highly wearable.
Kaori Yamazaki’s Tipi Dress is beautiful and breezy, I would love to wear the Little Braided Hat with just jeans and a tank top. Ashley Helvey’s Puppekleid is made from organic, predator-friendly wool hand-felted with rainwater and vegetable soap. If that won’t make you feel good about wearing it, I’m not sure anything will. Lara Miller’s Flip Sweaters feel very urban, almost street-wear-like. There’s defintely mainstream appeal, and i love how layering them makes it feel very fun. Melissa Kirgan’s elegant Deep Waters dress is dyed with Earthhues Indigo and Cochineal, the former is extracted from the the indigofera tinctoria plant, and excellent rotational crop for increasing soil fertility and one of the oldest dyes known to man, while the latter is made from cactus-dwelling insects, the harvesting of which provides significant income to indigenous people of the Canary Islands, Peru, Mexico and Chile. Cochineal is the only natural red colorant approved by the FDA and is often found in lipstick and cosmetics.